Lillian Bassman's "Park Avenue Woman," Gelatin Silver Print. At Peter Fetterman Gallery.

by Caroline Newman

Lillian Bassman’s “Women” is a beautiful ensemble of photographer’s images of fashionable women with an emphasis on light, form, and shadow.  The show, at Peter Fetterman Gallery at Bergamot Station will transport you back to a time when fashion photography captured the elegance of the 1940’s and 50’s.  Bassman’s highly contrasted, black and white photographs capture poised women with graceful gestures.  Accessorized with hats, gloves, and lace, these fashionable women appear photographed in the middle of their daily activities, yet dressed to kill.  The eyes of Bassman’s subjects never make contact with the lens.  This has the effect of focusing the viewer’s attention on the scene rather than the woman. Continue reading ‘Lillian Bassman’s Women: A Return to Elegance’


For the bibliophile and print lover: Sophie Calle's "The Address Book," 2009. A portfolio of prints at Gemini G.E.L.

by Emily Waldorf

On January 22nd, I attended a panel called “The Fine Art of Collecting Fine Prints” at the Los Angeles Art Show.  The panel was moderated by curator Michele Deziel  and included Collectors/Curators/Writers, Reba and Dave Williams and Kevin Murphy, PhD, Associate Curator of American Art at the Huntington Art Collections.

Here is a summary of the wonderfully knowledgeable and engaging panel’s advice on how to collect fine prints:

  • Prints can be very confusing for the uninitiated, start by developing relationships with dealers you trust who can educate you and look at as many prints as possible.  It is hard to understand the differences between different types of prints just by reading about them, you have to see them.
  • Watch the documentary film All About Prints, produced by Reba and Dave Williams.  It covers the art of printmaking from the perspective of influential curators, collectors, dealers, printmakers, and artists.  Since fine prints are relatively less expensive than original art, collecting them allows you to go deeper and acquire more artists. Continue reading ‘The Fine Art of Collecting Fine Prints’

Previously published on ForYourArt

Panelist Rachel Lachowicz' "Red David," 1991, Plaster and lipstick.

By Emily Waldorf

On January 29th, five female art professionals participated in a panel discussion, “Playing Fair:  Women in the Contemporary Art Market,” at the inaugural Art Los Angeles Contemporary fair at the Pacific Design Center.  Art dealer Kimberly Light of Kim Light/Lightbox moderated the panel and opened up the dialogue with a slide of Lynda Benglis’ famous 1974 Artforum ad in which she appears nude brandishing a large dildo.  The Benglis ad was a witty nod to the precarious balance between masculinity and femininity that women in the art world must strike and an effective way to jump-start a potentially delicate discussion.

The impressive lineup of panelists included the Director of Sotheby’s Institute of Contemporary Art, Kathy Battista, art writer and independent curator Emma Gray, artist Rachel Lachowicz, and the former Director of the Jumex Collection, Abaseh Mirvali.   The panel expressed disappointment over the gross disparity in value between female Continue reading ‘Post-Feminism and the Contemporary Art Market: How Level is the Playing Field?’



Pierre Bonnard's "Portrait of Leila Claude Anet," 1930, oil on canvas. Norton Simon Art Foundation

by Kelly Boyd

Norton Simon: Gaze: Portraiture after Ingres, through 4/5/10.

Reaching its greatest height in France under the rule of Napoleon III, portraiture had up until the late 1860s been characterized by Ingres’ fidelity to the face and emphasis on the patron’s prestigious social and moral standing.  In “Gaze: Portraiture after Ingres”, the Norton Simon explores the avant-garde’s appropriation of the conventional genre and their subsequent subversion of it.  Including works by Van Gogh, Picasso, Modigliani and Warhol, Gaze reveals the desire of artists from the mid 19th century to the modern day to engage in portraiture and capture their contemporary worlds without the expectations imposed by paying customers.  The exhibition of nearly 150 paintings, sculpture and photographs from the museum’s collection demonstrates the triumph of technique over subject, and how this development served to enhance rather than detract from the genre itself.

LACMA: Renoir in the 20thCentury, 2/14/ 10 – 5/ 9/10

Fans familiar with Renoir’s Impressionist work may be surprised by LACMA’s upcoming exhibition, “Renoir in the 20th Century.”  The exhibition chronicles the last three decades of Renoir’s career, his break with Impressionism and adoption of a more decorative and classical style. Continue reading ‘Must-See Winter Museum Shows in LA’



Scripps College's annual ceramics show in 2004, with Paul Soldner's "Floor Pot" in foreground. Credit: Krista Coquia / Scripps College. Image via the Los Angeles Times.

by Kelly Boyd

At this year’s dinner celebrating the 66th Scripps College Ceramic Annual it was announced that Scripps alumna Joan Lincoln, class of ’49 and her husband David had pledged to give $4 million to benefit students studying ceramics at Scripps and the affiliated Claremont Graduate University.

The gift includes a $3.5 million promise to Scripps for the construction of a state of the art, 3,000 square foot ceramic facility and an endowment for ceramic art programs and exhibitions.  Claremont Graduate University will be receiving $500,000 for the establishment of an endowment for graduate student scholarships. According to Scripps College president Lori Bettison-Varga, the gift gives the two institutions the opportunity to “recapture their place as preeminent educators of ceramic artists.” Continue reading ‘Scripps College 66th Ceramics Annual Coincides with Generous Gift’