Adam Ekberg's, "A Disco Ball in the Woods," 2006. Video.

by Caroline Newman

Light and water is necessary for our survival as a species.  Photography uses light and water as part of the photographic process. “Elements of Photography,” at Chicago’s Museum of Contemporary Art,  employs these essential elements in photographic and video works of art. These two elements are experimented with in both the photographic process and in the subjects of the works displayed.  All of the works present new and innovative conversations between natural processes and artistic processes, and their unification.

Adam Ekberg’s “Disco Ball in the Woods” is a thought-provoking way to open the show.  It is intriguing to enter a dark room and watch a large projected video of a disco ball spinning in the middle of a forest.  After the first few moments of recognition, it becomes quite relaxing and hypnotic to watch so many small spots of light repeatedly move in the same pattern.   The use of a familiar object in an unfamiliar setting creates a profoundly different result for the viewer.  Hiroshi Sugimoto’s peaceful “Time Exposed” is a black and white photograph of the ocean with light and fog blending the horizon line.  The ripples in the water are the only detail in the photograph causing this minimalist image to become extremely abstracted.  Here we are able to see both water in it’s natural form, the ocean, and water in a vapor, the sky. Continue reading ‘Light and Water in Chicago’



Analia Saban, Shed, 2009 Acrylic on and off canvas 10.5 x 10 in. Value: $1,200. Courtesy of Thomas Solomon Gallery and the artist.

Art for Haiti, a silent auction organized by eleven Los Angeles art galleries will be held this evening at the Mandrake from 7pm-9pm.  All funds raised are 100% tax-deductible and will go directly to the Red Cross relief efforts in Haiti. Opening bids will be starting as low as $100 and bidding in the sale is a wonderful way to support an urgent cause and snap up a well-vetted work of contemporary art.

Local galleries involved include:

Zach Feuer Gallery, Kim Light/LightBox, Honor Fraser Gallery, Patrick Painter Inc, Ooga Booga, Kinkead Contemporary, Franklin Parrasch Gallery, Robert Berman Gallery, Marc Richards Gallery, Kopeikin Gallery, Cherry and Martin Gallery, and Thomas Solomon Gallery

The emerging and mid-career artists represented in the silent auction include:

Justin Lieberman, Sayre Gomez, Brian Bress, Chris Churchill, Maha Saab, Michael Gregg Michaud, Yuval Pudik, Joe Yaeger, Continue reading ‘Art for Haiti Silent Auction’


MOCA's new director, Jeffrey Deitch. Image via The Los Angeles Times.

MOCA has named New York City art dealer Jeffrey Deitch as it’s new director.  It is a controversial and exciting choice because it blurs the line between the academic museum world and commercially driven art market.  Currently, no other major U.S. museum is overseen by a former gallery owner and Mr. Deitch certainly doesn’t fit the typical profile of a museum director from a curatorial or nonprofit background. Having a successful businessman at the helm of a museum that faced a severe financial crisis in 2008 isn’t such a bad idea.

Mr. Deitch studied Art History at Wesleyan and holds an MBA from Harvard.  He co-founded Citibank’s pioneering art advisory service in 1979 and went on to become one of the most successful private dealers in the world.  In addition to running Deitch Projects, he has advised collectors such as David Geffen, Dakis Joannou, and Eli Broad.

Here is what the LA art world is saying about the choice, according to a Los Angeles Timearticle, “MOCA May Go in a New Direction:”

“My immediate response was that there’s no way, it doesn’t make any sense” that a leading dealer like Deitch would give up his business to lead a nonprofit museum, “But the more I think about it, it would be really interesting. He would be able to deal with the politics involved in a job like that. I’d welcome him with open arms.”

– Jeff Poe of LA Gallery Blum & Poe

“Out-of-the-box choices can often be inspired. They can create new kinds of energy…But when they don’t work, they can be disastrous.”

– Collector Dean Valentine

Continue reading ‘Dealer Jeffrey Deitch Named New Director of MOCA’



Neil Leifer, "Muhammed Ali vs. Sonny Liston, St Dominics Arena, Lewiston, ME, May 25, 1965."

by Caroline Newman

For those who are interested in both sports and photography this is the show to see!  Currently on display at The Annenberg Space for Photography is the exhibit “Sport” containing photographic works from Walter Iooss and Neil Leifer.  Both Iooss and Leifer propel the genre of sports photography into a whole new realm with this show.  Iooss’ images isolate the figure so it becomes more about the movement and form of an individual rather than who the person is.  Leifer contextualizes his subjects making his photographs more about an isolated moment in time and the feelings contained within that moment.

Neil Leifer, "Yogi Berra, 1960 World Series, New York Yankees vs. Pittsburgh Pirates, Forbes Field, Pittsburgh, PA, October 1960."

Walter Iooss is well known for his portraits of famous athletes such as Michael Jordan and Mohammed Ali.  Seeing these images along with many others in the show enables the viewer to focus on aspects of shape and movement that may not have been apparent when viewing just one of Iooss’ images.  Many of his subjects are placed against minimal backgrounds causing most of the detail to be found within the figures.  Images like Michelle Kwan ice-skating through the air and Tiger Woods getting ready to swing a gold club are so powerful in the figures themselves that the background is barely noticeable.  Iooss’ images of athletes transcend sports photography and become a masterful study of form and beauty. Continue reading ‘Sport Becomes Art’


Photo LA 2010
January 14 – 17, 2010

– includes over 25 international and domestic galleries specializing in photography as well as an array of LACMA sponsored lectures

– Opening night reception on January 14th benefits the Wallis Annenberg Photography Department at LACMA

Santa Monica Civic
1855 Main Street
Santa Monica, CA 90401-3209

Fine Art Dealers Association Los Angeles Art Show 2010
January 21 – 24, 2010

– includes painting, sculpture, works on paper, photography, and video from over 110 international and domestic galleries from a diverse range of periods and styles

– January 20th Opening Night Gala raises funds and awareness for LACMA’s Art Museum Council and its Prints & Drawings Council, and Inner-City Arts. Continue reading ‘January is a Big Month for L.A. Art Fairs’



As part of an art exchange program between the Frick Collection in New York and the Norton Simon Museum in Pasadena, French artist Jean-Auguste-Dominique Ingres’ stunning portrait, Comtesse d’Haussonville, 1845, is being shown for the first time in California.  The temporary exhibition includes two related preparatory drawings and is on view through January 25, 2010, making it a perfect art destination to visit over the holidays.

Fashion is a key element of Ingres’ many high society portraits since it provides visual cues to the subject’s creative expression and social standing. In her book, Ingres in Fashion: Representations of Dress and Appearance, Aileen Ribeiro points out the carefully selected elements of the Comtesse d’Haussonville’s toilette and how they relate to the fashions of the day:

The fashion magazines…noted the popularity of turquoise for jewellery; the Petit Courier des dames (1840) referred to the vogue for bracelets in the shape of snakes with eyes made of turquoise.  The comtesse d’Haussonville wears a heavy gold bracelet set with a turquoise, and among other rings on her right hand is a turquoise serpent ring, also known as à la Cléopâtre.  Given the artistocratic restraint of the portrait, such a choice would be appropriate; it is jewellery which is rich but discreet.

The Comtesse d’Haussonville is depicted in her boudoir, perhaps after returning from an evening at the theatre, in a beautifully draped Delft-blue silk evening gown, Continue reading ‘Important Ingres Portrait on loan from the Frick at the Norton Simon Museum’