From the Halsey Minor Collection: Richard Prince's "Nurse in Hollywood #4," 2004, Acrylic and inkjet on canvas. Estimate: $5-7 million.

May is an exciting month for the New York auction world.  This year, some very private West Coast collections, featuring rare work, will be offered at auction in the next two weeks.  Property from the $150 million Holmby Hills-based Collection of Mrs. Sidney F. Brody will be auctioned off at Christie’s on May 4 and 5 during the Impressionist and Modern art sale.  Highlights include Picasso’s 1932 painting, “Nu au Plateau du Sculpteur,” estimated at over $80 million, which insiders say may take over as the most expensive work of art ever sold.  Seminal works by Giacometti, Braque, and Matisse will also be included in the sale.  A portion of the proceeds will be donated to the lovely Huntington Library, Art Collections, and Botanical Gardens in San Marino.

Works from the Collection of Michael Crichton will be sold in conjunction with Christie’s Post-War and Contemporary Art sale.  In addition to being a best-selling author, screenwriter, film director and producer, the very private Crichton was also an instrumental collector of 20th century artists and friends with Continue reading ‘Important California Private Collections Hit the New York Auction Block’



Fashion as Art

23Apr10

A painting of stylist Elizabeth Stewart by Kimberly Brooks. Stewart joined a roundtable discussion during Brooks' presentation, "Art, Fame, and Fashion." Image via The Los Angeles Times.

On Wednesday, April 21, LACMA’s Costume Council featured a brilliant presentation by artist Kimberly Brooks, “Art, Fame, and Fashion.”  Brooks recently completed the Los Angeles component of the The Stylist Project, a series of oil paintings that will eventually be turned into a book.  The Stylist Project hones in on today’s fashion influencers and explores the delicate question of whether fashion is art and whether stylists are artists. Continue reading ‘Fashion as Art’



Soo Kim's Midnight Reykjavik#8, 2005, printed 2007. Layered, hand-cut chromogenic print 48 x 48 in.

by Caroline Newman

Spend a few hours at the Getty and travel half-way around the world, with diverse perspectives of urban life through the art of three photographers in Urban Panoramas:  Opie, Liao, Kim.  Jeff Chien-Hsing Liao’s large, horizontal, color photographs depict movement through the busy streets of New York.  By compositing images together, Liao is able to produce detailed panoramic views in his photographs.  He states in the audio that each work contains about twelve shots.  Liao crisply focuses on the buildings and advertisements.  The pedestrians are blurred and unidentifiable but usually remain the center of the photograph.  The people act as a river of water flowing between buildings.  Liao is able to successfully recreate the atmosphere of New York City in these vivid and captivating photographs. Continue reading ‘Urban Panoramas: Through the Photographer’s Lens’


Click here to listen to Emily Waldorf’s talk on the power of combining blogging and the arts and how you can harness new media platforms to get closer to your own personal and professional goals.

Slides

The talk covers the following central aspects of blogging and new media:

  • The rise of new media as a powerful marketing tool
  • Blogging success stories
  • The “free” economic model of the internet
  • Statistics on blogging
  • SEO, Page Rank, and Link Love
  • Celebrity culture and new media
  • Tips on how to start your own successful blog


A view of Gursky’s new Ocean series at Gagosian’s newly expanded Beverly Hills gallery

German artist Andreas Gursky’s installation of fifteen c-prints is a fitting inaugural show for Gagosian Gallery’s newly expanded 3,030 square foot Beverly Hills space, designed by Richard Meier & Partners.  This is the first big show for Gursky in Los Angeles and includes six works from his new “Ocean” series as well as nine retrospective works from the last twenty years.  Gursky is part of a well-known circle of German photographers who studied with Bernd and Hilla Becher at Düsseldorf’s Kunstakademie, including Thomas Struth, Candida Höfer, and Thomas Ruff.

Gursky clearly plays with the idea of the digital, machine eye versus the human eye and the idea of space in his work.  He explains:

Space is very important for me but in a more abstract way.  Maybe we try to understand not just that we are living in a certain building or in a certain location, but to become aware that we are living on a planet that is going at enormous speed through the universe.   Continue reading ‘Andreas Gursky at Gagosian in Beverly Hills’